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Ara’Kus on Film
What a long week! We went straight from an intense non-stop costume creating frenzy to filming our promo video. The Everett Historic Theater has been absolutely amazing in their support of us and this project. They gave us full use of the facility for the entire night, including tech. It was an awesome opportunity to get a feel for what we’re really getting into. I have to say that after taking the stage there and feeling it out, this show will be unequivocally amazing.
We’ve also gotten the verbal ‘OK’ to hold our rehearsals in the theater itself starting in early July. This will be a huge benefit, and alleviates one of my major concerns – finding a location suitable for blocking and the rehearsal of space sensitive acts such as dancers and martial artists.
Ignition Fire Troupe sounds very interested in lending their support in the way of martial artists and props, but they have to verify that they won’t all be out at an event the weekend of the show. We’ve also been looking into hiring some aerialists. We’d need to hire some riggers to prepare the stage for this act, but I think it could be well worth the cost associated with it.
The video shoot itself went surprisingly smoothly. Max Collinge, as always, has been an unbelievable asset, both with his abilities and willingness to help, and with his equipment. We had a good showing from the chorus and the costumes looked great all around. Rissa Jones came out to do make-up for us and did a stunning job, given the time constraints. We’re hoping to bring her out for the final production to do some more elaborate make-up and prosthetics. Despite how well the band’s costumes turned out, I have to say that the star of the show was the chorus. I still get chills every time I see them in the video footage we have so far – a white faced, emotionless wall of black robed figures. Creepy as hell. Also very, very cool.
Last night we filmed a character driven promo scene based on Syren’s Embrace. Chrissy Kayatta and Jawn Wakefield came out and gave us a spectacular and chilling performance. I’m really excited to start working with this material in post production. Also, we had a new make-up/costume person named Kaitlyn come out to work with us. She did a fantastic job, and we’re looking forward to having her as a resource.
After the shoot, I took a bit of time off to go check out a rehearsal at the Last Wear House in Northgate. Apparently they’re putting on a fashion/theater show at Julia’s in Capitol Hill on Thursday (5/27/10). It’s an excellent performance they’ve put together. I’d recommend highly going to check it out if you get a chance.
Tonight, we film BJ as the priest. I’ve got some ideas for some pretty dramatic shots, and I know that with BJ’s acting abilities, it will turn out quite well. After that, it’s down to Seattle to film the lovely Asraiya and her twirling implements of fiery doom.
Jeremy and Max have cut me off from filming after tonight. I’d like to get some footage of Eric and the martial artists, but time constraints are preventing that at the moment. It’s probably time we get back to other pursuits, in any case. We’ve got most of our actors now; time to set up rehearsal schedules, finish the stageplay and get moving on some live promotional activities.
66 days remaining…
Historic Everett Theatre
Mill Town Footlights by David Dilgard, Everett Public Library
© 2001 Everett Public Library (For a copy of Mill Town Footlights, click on the title above.)
Chapter 4
Stately Centenarian: The Everett Theatre
Age cannot wither her, nor custom stale her infinite variety…
William Shakespeare: Antony & Cleopatra, Act II, Scene 2
Opening Night
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| 1902 Facade of Everett Theatre was an impressive composition in terra cotta, tile and stucco. (Curtis Studio photograph, April 1905, from the collection of the Evertt Public Library) |
Every decent carriage in town had been hired well in advance. As the long-awaited hour approached, horse-drawn vehicles and streetcars converged on Colby Avenue laden with passengers unusually well-dressed for a mill town Monday night. From a lofty vantage point it may have seemed like a scaled down version of a Broadway opening. Certainly something similar to the excitement of the Great White Way had momentarily found its way to a modest Puget Sound industrial port.
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